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Holding Company
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Holding
Company
Major Jackson
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For
James Welden Romare Jackson
and
in memory of
my mother
Gloria Ann Matthews
Contents
Your Hourglass & No One Else to Blame
Picket Monsters
Creationism
Going to Meet the Man
White Power
Mondes en Collision
Migration
After Riefenstahl
Roof of the World
Discrete Intelligence
Greek Revival
Said the Translator
Jane Says
Lost Lake
I Had the Craziest Dream
Life During Wartime
Dynagroove
Hysteresis
Exquisite Minutes
Tremble
You, who carry daylight on your face
Unteachable Rain
New Sphere of Influence
Towers
Anthrodrome
Poem Beginning with a Line by Dante Rossetti
Heaven Goes Online
Thinking of Lucretius
Aubade
Speaking East Coast
The Nature of Affairs
At the Club
Strangers Are Not Strangers
On Removing the Wedding Band
Superfluities
Headfirst
The Chase
How You Love
Club Revival
Quaff
Bedraggled
More Feeling
Caressing the Ruins
Jewel-Tongued
Manna
Bereft
Shortbus
Hookups
Breakups
Early Spring
Roadblocks
Digging Holes
Delicious. I love you. Goodbye.
The Door I Open
Therapy
Far Out West
When you go away
Designer Kisses
Fever
Observe His Face
Homecoming
Lorca in Eden
Myth
An Empire of Hand-Holding & Park Benches
Autumn Landscape
My Awe Is a Weakness
Headstones
Immanence
Recondite
Prayer
On the Manner of Addressing Shadows
Overwrought Power Ballad
Narcissus
Lying
The Giant Swing Ending in a Split
Treat the Flame
Periplum
My Face in the ATM Screen
Maithuna
Here the Sea
Brash and Ambitious
Leave It All Up to Me
Zucchini
Forecast
Notes
About the Author
… one muse, one music, had one the luck—
lost in the dark night of the brilliant talkers.
—Robert Lowell, on T. S. Eliot
Then
once those expressionistic candles have been lit
at the altars of sex, I’ll return to religion.
.
.
.
and finally I’ll reveal my true passion:
Which is life raging [or unwilling] [or dying]
—and thus, again poetry:
neither the sign nor the existing thing matters.
— Pier Paolo Pasolini,
Plan of Future Works
Holding
Company
Your Hourglass & No One Else to Blame
Picket Monsters
For I was born, too, in the stunted winter of History.
For I, too, desired the Lion’s mouth split
& the world that is not ours, and the wounded children
set free to their turnstiles of wonder. I, too, have
blinked speechless at the valleys of corpses, wished
Scriabin’s “Black Mass” in the Executioner’s ear,
Ellington in the Interrogation Room.
I now seek gardens where bodies have their will,
where the self is a compass point given to the lost.
Let me call your name; the ground here is soft & broken.
Creationism
I gave the bathtub purity and honor, and the sky
noctilucent clouds, and the kingfisher his implacable
devotees. I gave salt & pepper the table, and the fist
its wish for bloom, and the net, knotholes of emptiness.
I gave the loaf its slope of integrity, the countertop
belief in the horizon, and mud its defeated boots.
I gave morning triumphant songs which consume my pen,
and death its grief which is like a midsummer thunderclap.
But I did not give her my tomblike woe though it trembled
from my white bones and shook the walls of our home.
Going to Meet the Man
As if one day, a grand gesture of the mind, an expired
subscription to silence, a decision raw as a concert
of habaneros on the lips, a renewal to decency like a trash
can smashing a storefront or shattering the glass face
of a time clock: where once a man forced to the ground,
a woman spread-eagled against a wall, where a blast into
the back of an unarmed teen: finally, a decisive spark,
the engine of action, a civilian standoff: on one side,
a barricade of shields, helmets, batons, and pepper spray:
on the other, a cocktail of fire, all that is just and good.
White Power
As it happened, I was twirling a cauliflower floret,
lost in Lewis’s wardrobe of pallid trees,
considering my country’s longing for homogenized milk
& bags of tube socks from Walmart,
which felt cancerous. What came to me like a surprise
snowfall in the soft evening of a snow globe,
one has to pinch salt and sprinkle in the palm,
repeatedly, especially when the temperature in mother’s trailer
has begun to drop. In this way, after your Constitution fades,
you’ve your own hourglass and no one else to blame.
Mondes en Collision
To the question of history’s tectonic drift,
Immanuel Velikovsky removed his glasses & pinched
his temples before a silent throng at the Royal
Hypnagogic Society in Edmonton. Through a window,
coppiced trees blurred. An orange-headed thrush
fleetingly invaded his sight. Someone coughed.
Despair fell into despair, building its music. The abrupt clash
of meaning was like the laughter of running children.
He saw the microphone’s convexed portals as one
of many recognizable texts out of our celestial holes.
Migration
That summer, municipality was on everyone’s lips,
even the earth eaters who put the pastor in pastoral.
Truth is my zeal for chicory waned, and my chest was damp.
I shivered by a flagpole, knowing betrayal
was coming my way. Just the same, I believed like a guitar string
believes in distance and addressed each bright star Lord
of My Feet. A country of overnight deputies, everyone had a knot
to endeavor. I read oaks and poplars for signs: charred branches,
tobacco leav
es strung up to die, swamp soil in my soul. Ever trace
the outline of a phantom mob, even if you were late arriving?
After Riefenstahl
The screen’s fabrications remain. A film
shot never fails, sailing through the century
like a black V at the hour of moaning.
I premiere these pontifical birds: villagers march
and raise their arms, Marschlieder. Thus I am
your sweet messenger glittering more than first stars,
a harvest of light concealing your nicks and little deaths.
My comrade, my camera, my power, my fury,
my triumph, my will: do you not also,
my love, flicker in a cathedral of terror?
Roof of the World
I live on the roof of the world among the aerial
simulacra of Things, among the faded: old tennis shoes,
vanished baseballs, heartbreak gritted with dirt. My mind
flickers like lightning in a cloud. I’m networked
beholding electric wires and church spires.
I lean forward and peer at the suffering below—
Sartre said: man is condemned to be free.
I believe in the dead who claim to believe in me—
says, too, the missing and forgotten. Day darkens
on. I hear our prayers rising. I sing to you, now.
Discrete Intelligence
Hotels take up where bedrooms leave off.
Crucifixes find their way above senate bills.
A one-sided temper precedes a major pact.
Belowstairs cowers beneath abovestairs.
Meanwhile ghettos torment our nightsheets.
Presidential invasion escalates insurgencies.
A mistress puts on gloves and holds her breath.
Then the follow-up, we’re adamant about dreamless
days, the all-out assault on ambiguity,
the tee-off, the golf swing, the far-look away.
Greek Revival
Of that unhurried blink of eyelids I glimpsed, all pixilated
and grains, belonging to a woman dying, on screen
her life winding down, yet one last cinematic glance
in the prime like a loose smile filling the frame
over a shoulder, I say so much lateral interpolations fasten us
to that sequence of flowers as sped-up funerals. I thought
this stepping up in the Garden District to a streetcar.
The avenue has rituals: the curved horizon of Southern
mansions, and the gripping anguish of oak branches reaching
through half-opened windows like desperate fingers.
Said the Translator
Plato would be easier, said the translator, and thus began
the factory tour. One had to understand the language
of AstroTurf dotted with cannons or the nonalcoholic joy
subway-watching women two-finger designer eyewear
firmly up the bridge, all that rollicking uncertainty
like a root beer. Who cares about splitting hairs
when what’s at stake is merely the history of robes?
The clock read 12:13, exactly when no seven were alike,
yet, give him a pencil and the knotholes of other mouths
make a soft hollow noise. All he knows is what he thinks.
Jane Says
I only know they want me, prone to stupefaction
at the ambivalence of men. The house is sleeping,
but she’s flipping through American Spirits,
the canned laughter of heroin nights. Her oneiric
fades: prairie grass bending away, barnyard decay,
red-checkered tableware, summer running liquid
air, languorous lift of an American flag, her grandparents
waving, her faded duffle bag, the Irish setter
spiraling in circles. A patrol car paints more tattoos,
and out of silence, they move, too, like green vines.
Lost Lake
A soggy brightness at the northernmost ridge
of the Tahkenitch, even nearing dusk and not
a Domino’s for miles. I said holy at a coniferous wall
of western hemlock overhead and red cedar
which rose up from the foot of that coastal creek
bearing its image and all around. I had not known
I’d come as a witness. The great Pacific rolled in
news from distant shores beyond a stretch of dune
trails behind us. White-winged gulls shrieked
and flapped at our misery frothing in waves.
I Had the Craziest Dream
Never on Sunday she said and brandished
an oval locket of hairs from each
of her lovers. I looked over my shoulders.
We sat munching on puffs of dried hydrangea
that no surprise tasted of cotton candy.
Far off on the sea, on a floating bench,
my mother excitedly talked up the president.
I questioned his killing clothes, and knew it all perishable
at any moment. The pictures were hanging themselves.
Along our coastline. Best she said to hammer in the morning.
Life During Wartime
But the daydream collapses and time returns us
to corners where young boys expire
like comets at the suburbs of your thalamus.
Gunshots weaken the houses; hope vanishes
like old cell phones. Blood darkens a stoop;
the mouth is disagreeable. But then, one afternoon,
a sunshower baptizes shadows on a street. The steaming
scent of wet sidewalks swells your insides
and somewhere not far from here a young girl grabs
the hand of a boy and runs over the rubble.
Dynagroove
Our social clock had gone berserk but those
groovy Eames and collectible lamps licensed
us to practice a kind of savage civility. Our vice
wasn’t noble or the avalanche of cocktails
with serene names suggestive of spy movies
or the imprudent idea of going further in snow.
We secretly wished for living rooms with such large
cushions. We might have survived it all, especially
the piñata beatings of effigies in foreign deserts we had
no idea existed. Even the bongos promised Heaven.
Hysteresis
The chancellor leaning in the chaise
thought, “In the old days we liked to eat well.”
The wood-paneled room conjured greater wistfulness
swell enough for him to finger an inside pocket
for a phantom cigar which he lit to an Edwardian blaze,
surprised to find his mind more than a night machine
sputtering pearls. He missed the old chaps at the club,
a fit citizenry if ever there were one. All is changed:
everywhere patterns in the dark-grain
swirling their exotic typhoons.
Exquisite Minutes
When we are separated on two train platforms,
the other’s antithesis for the 7:20 Express,
think of it as some angel-liberating moment
sans the putrid swoosh of subway air.
The radio struggles to neaten its long wave ban.
Its susceptibility to seraphic interference
reveals the white fractures of our bare intelligence.
Yet some of us arrive capable of reading
the clanks of tracks, lights in a tunnel,
the arrival of birds in underground channels.
Tremble
My neighbor is velvety and kicks serious game.
So sweet garlic refuses to hang tight
in his mouth. He pulls women to his wide chest
each time as if he’s won the Lotto. He rocks
the
m gently and gentler. My neighbor
is a master spooner. He knows not of desire, but only
the rules of engagement. He says, I miss
having Skype on all night so I can listen
to your breathing. He floats in his museum,
of gams, drifting from frame to frame.
You, who carry daylight on your face
You, who carry daylight on your face
the best of us all, the sky is lust,
and stills my zippered spine. Observe my envy
of the sea where you wade, its surface
like an afternoon of swordplay.
You shun the lips of infants disguised as men.
Young girls cherish the mirrors where you
quickly collect yourself. The neighbors
know your comings and goings, but the syntax
of your smiles is revealed only to little children.
Unteachable Rain
New Sphere of Influence
This is the year I’ll contemplate the fire-fangled sky
over the isle of Pag, authored by my lover’s eyes.
A crimson rambler uncurls its petals, and I am whistling
a dusty concerto, “Hope with Roadside Wildflowers.”
I want to unfurl in the sodden fields of her daydreams.
Who wants immortality if she must die?
Once I thought stars were everlasting, only dying
behind a cerulean curtain, cloudy rains at dawn.
My lover’s lips are twin geniuses. I’ve trashed the movie stubs
of my past. I’ve front row seats to her mumbling sleep.
Towers
I could give your palace more glass shine,
facing eastward every year without knowing.
And no, it’s not convincing waking in fog and rain,
steel and stone soaring above the living. After many
springs, streets accrue their grief, and the people
are nameless. I broadcast my hunger,
heartwood beneath skin radiant as coronas—
what’s there: son of tenderness, son of disasters.